On The Door (2024), oil on canvas, 140 x 160 cm
"On The Door" explores self-expression and personal narrative through a dichotomy of the “low” and “high” brow. The use of iconic fashion pieces acts as a symbol of casual disarray. The painting presents a juxtaposition of luxury and streetwear, seen through the legs clad in classic Adidas track pants and feet encased in “Tabi" boots from the luxury designer Maison Margiela.
The scene is set on a tiled floor, reminiscent of traditional interior aesthetics with the figure seated on a plastic garden chair which further emphasises the blend of high and low.
This piece continues the artist's exploration of contemporary femininity and the tension between public personas and private realities. The choice of footwear and track pants highlights the modern woman's versatility, embodying both style and practicality.
"On The Door" uses everyday symbols to challenge conventional notions of femininity and domesticity. By incorporating elements of high fashion into a scene of mundane disorder the complex and multifaceted nature of female identity is underscored.
Dimensions
130 x 160 cm
Framing
This work requires framing.
"On The Door" explores self-expression and personal narrative through a dichotomy of the “low” and “high” brow. The use of iconic fashion pieces acts as a symbol of casual disarray. The painting presents a juxtaposition of luxury and streetwear, seen through the legs clad in classic Adidas track pants and feet encased in “Tabi" boots from the luxury designer Maison Margiela.
The scene is set on a tiled floor, reminiscent of traditional interior aesthetics with the figure seated on a plastic garden chair which further emphasises the blend of high and low.
This piece continues the artist's exploration of contemporary femininity and the tension between public personas and private realities. The choice of footwear and track pants highlights the modern woman's versatility, embodying both style and practicality.
"On The Door" uses everyday symbols to challenge conventional notions of femininity and domesticity. By incorporating elements of high fashion into a scene of mundane disorder the complex and multifaceted nature of female identity is underscored.
Dimensions
130 x 160 cm
Framing
This work requires framing.
"On The Door" explores self-expression and personal narrative through a dichotomy of the “low” and “high” brow. The use of iconic fashion pieces acts as a symbol of casual disarray. The painting presents a juxtaposition of luxury and streetwear, seen through the legs clad in classic Adidas track pants and feet encased in “Tabi" boots from the luxury designer Maison Margiela.
The scene is set on a tiled floor, reminiscent of traditional interior aesthetics with the figure seated on a plastic garden chair which further emphasises the blend of high and low.
This piece continues the artist's exploration of contemporary femininity and the tension between public personas and private realities. The choice of footwear and track pants highlights the modern woman's versatility, embodying both style and practicality.
"On The Door" uses everyday symbols to challenge conventional notions of femininity and domesticity. By incorporating elements of high fashion into a scene of mundane disorder the complex and multifaceted nature of female identity is underscored.
Dimensions
130 x 160 cm
Framing
This work requires framing.