Cream Doesn't Belong in Carbonara (2024), oil on canvas, 197 x 158 cm
Titled 'Cream Doesn't Belong in Carbonara', this large-scale artwork boldly reinterprets classical themes of the female nude while addressing contemporary societal norms. The title reflects on personal authenticity and choices, emphasising individual truth over external judgment.
Against a backdrop of a bright pink wall and luxurious wooden parquet floor, a nude figure reclines on a red velvet chaise lounge. Inspired by The Venus of Urbino by Titian, by obscuring the frontal view and focusing on the figure's confident eye contact and the figure’s backside.
The artwork critiques and satirically de-sexualises the portrayal of the female form, often objectified or misunderstood, instead offering a defiant nod to self-possession and autonomy. Through this artwork, the artist invites viewers to reconsider entrenched views and embrace the nuanced complexities of female identity.
Dimensions
197 x 158 cm
Framing
This work requires framing.
Titled 'Cream Doesn't Belong in Carbonara', this large-scale artwork boldly reinterprets classical themes of the female nude while addressing contemporary societal norms. The title reflects on personal authenticity and choices, emphasising individual truth over external judgment.
Against a backdrop of a bright pink wall and luxurious wooden parquet floor, a nude figure reclines on a red velvet chaise lounge. Inspired by The Venus of Urbino by Titian, by obscuring the frontal view and focusing on the figure's confident eye contact and the figure’s backside.
The artwork critiques and satirically de-sexualises the portrayal of the female form, often objectified or misunderstood, instead offering a defiant nod to self-possession and autonomy. Through this artwork, the artist invites viewers to reconsider entrenched views and embrace the nuanced complexities of female identity.
Dimensions
197 x 158 cm
Framing
This work requires framing.
Titled 'Cream Doesn't Belong in Carbonara', this large-scale artwork boldly reinterprets classical themes of the female nude while addressing contemporary societal norms. The title reflects on personal authenticity and choices, emphasising individual truth over external judgment.
Against a backdrop of a bright pink wall and luxurious wooden parquet floor, a nude figure reclines on a red velvet chaise lounge. Inspired by The Venus of Urbino by Titian, by obscuring the frontal view and focusing on the figure's confident eye contact and the figure’s backside.
The artwork critiques and satirically de-sexualises the portrayal of the female form, often objectified or misunderstood, instead offering a defiant nod to self-possession and autonomy. Through this artwork, the artist invites viewers to reconsider entrenched views and embrace the nuanced complexities of female identity.
Dimensions
197 x 158 cm
Framing
This work requires framing.